Imagined Scene Cut from Star
Trek V: The Final Frontier
-Bruce Kanin; May 10,
2012
The movie Star Trek V:
The Final Frontier was story about the Enterprise
on a quest to seek … God. The
starship and its crew have been hijacked by Sybok, half-brother of the ship’s
First Officer, Mr. Spock. Sybok has the apparent ability to meld with people in such a way that he
brings their most excruciating, deep-buried memories to the surface in order to
help them to make peace with these thoughts. A side effect of this meld causes
those experiencing it to become, in effect, a follower of Sybok.
As a result, Sybok, needing a starship to reach the center
of the universe from which “God” appears to call him, captures the Enterprise and, using his abilities,
influences the crew to set course per his instructions.
However, Captain Kirk, Mr. Spock and Dr. McCoy find ways to evade
Sybok, his minions who have come on-board, and even brainwashed crew members.
But ultimately the Captain, First Officer and Doctor are cornered, thus
allowing Sybok to meld with them and to unearth their deepest pain such that
they can be converted to his cause.
For McCoy, Sybok touches the doctor’s grief that is borne
from his decision to euthanize his elderly father not long before a cure for
his dad’s terminal ailment has been found.
For Spock, it is the rejection experienced way back when he
was born and scorned as a “half-breed” by his own father – half Vulcan, half
Human.
But as shown in the movie, Kirk manages to avoid the meld
with Sybok, saying that he needs his
pain, because it makes him what he is. That comment evokes the early first
season episode of Star Trek, “The
Enemy Within”, in which a transporter accident splits Kirk into his “good” and
“evil” halves. In that episode it is Kirk, Spock and McCoy who observe that the
good and evil halves of a person are both needed to complete someone’s
persona – and enable them to survive.
So in Star Trek V: The
Voyage Home, we don’t get to see Kirk feel his pain nor do we know just what
that might be, assuming he even has some kind of deep, dark angst. However, if
we think back to the original series, there are a few episodes that end with
Kirk having faced some kind of personal
pain. One is the third-season story, “The Paradise Syndrome”, in which an
amnesiac Kirk marries a native woman on a distant planet, only to watch her die
once his memory returns.
Another, it could be argued, is “Turnabout Intruder”, the
final episode of the series, in which Kirk deals with a woman he once loved,
but who now scorns him and has effectively gone mad. His angst is that he was
never able to help her. The episode does not end all that happily for the
woman, or for Kirk.
To me, though, those two episodes pale in comparison with
what is arguably the best episode of the series and perhaps the franchise. It is one that is universally
acclaimed and as well won the Sci-Fi world’s Hugo Award.
This episode is, of course, “The City on the Edge of
Forever”. For the few people who’ve never seen it, the story involves a deranged
Doctor McCoy using a time portal to change history such that the Earth isn’t
the same. His actions indirectly result in the Federation, including the Enterprise,
no longer existing – at least as far as Kirk and co. knew them. A landing
party, consisting of Kirk, Spock and others, become stranded on a strange
planet containing the time portal.
In an attempt to resolve the situation, Kirk and Spock use
the portal to go back in time in order to somehow find and stop McCoy before he can alter history. While doing
so, Kirk meets a social worker in 1930s New York City named Edith Keeler, who
turns out to be the focal point of their time trip: McCoy had gone back and
prevented her from dying – that resulted in a cascade of changes affecting the
future. But Kirk and Spock learn that Keeler must die, just as she did before McCoy used the time portal, in order to
set things straight.
There’s only one problem: Kirk, originally not knowing that
Edith Keeler was the focal point who needs to die, has fallen head over heels
in love with her.
And so, at the episode’s climax, when Kirk and Spock have
caught up with a now-recovered McCoy, the Captain must choose between letting
McCoy save Edith Keeler’s life – thereby resulting in a chain reaction of
events triggered by Edith later in her life that doom Earth to a future in
which Nazi Germany conquers the Earth and ultimately no United Federation of Planets exists – or - letting her die in traffic
as she crosses the street, as she was supposed to - thus preserving the future
known by the Enterprise trio.
It is a riveting and emotional scene. As Kirk and Spock are unexpectedly
reunited with McCoy, Keeler sees them and crosses the busy street. Kirk’s
instinct is to run out and save her from being killed, but Spock, knowing the
consequences, yells, “No, Jim!”
McCoy then attempts to run out to Edith, and Kirk stops him.
After they hear Edith’s screams, knowing what has happened, McCoy angrily says
to Kirk, “You deliberately stopped me, Jim. I could have saved her. Do you know
what you just did?”
As Kirk pulls away from his friend in grief, Spock says, “He
knows, Doctor. He knows.”
And soon we see the Enterprise
trio back in their “present”, with all things “restored”. Kirk gives the
command, “Let’s get the hell out of here”, meaning to beam back up to the Enterprise, and the episode ends.
We clearly see Kirk’s anguish because he had the woman he
loved die. It’s hard to imagine any viewer not feeling the power of this scene and the devastating impact on Kirk. Only a
handful of the Star Trek franchise TV
episodes can make that claim (TNG’s
“The Inner Light” and DS9’s “Children
of Time” are other examples).
As such, not long after seeing Star Trek V: The Final Frontier, I wondered if, instead of Kirk
opting out of the Sybok mind meld, things could have gone differently…
On the Enterprise, Sybok has
hijacked the ship and its crew, except for Kirk, Spock and McCoy. But finally,
he corrals them and has just melded with McCoy and then Spock. Now it’s Kirk’s
turn…
Despite Kirk’s protests,
Sybok managed to place his hand on the Captain’s forehead. Jim Kirk continued
to resist, but the Vulcan was overpowering. Soon ancient thoughts flooded
through Kirk’s mind – memories he tried to suppress for a long time – very deep
memories.
…The bridge of the Enterprise and Spock reporting of
ripples in time.
…A hypo pumped into McCoy, enraging him and resulting in him beaming down to a
strange planet below - the one
generating the ripples in time.
…Kirk, along with
Spock, Scott, Uhura and two security men, beam down to search for McCoy and
discover a bizarre object they learn is the Guardian
of Forever – a time portal.
…A still-crazed McCoy
leaping through the portal, causing the Enterprise
to disappear from orbit and, as they learn from the Guardian, history changing drastically.
…Kirk and Spock
leaping through the Guardian’s portal,
as well, in an attempt to restore things to normal by preventing McCoy from
changing history.
…And then in 1930s
New York, the pair meeting Edith Keeler, with Kirk falling in love – and
learning from Spock that she is tragically the “focal point” who must die.
…Finally, outside
Edith Keeler’s mission for homeless people, Kirk allowing her to die in order
to save the universe.
Kirk remembered all
this now – the sound of Edith’s voice, her scent, her touch, her grand ideas
well before her time, and her beauty. He wondered how things might have been.
But then he recalled the deeply excruciating decision he had to make.
The universe saved in
exchange for a woman’s life – not just any woman – but the woman he fell in
love with.
Via Sybok’s meld, the
Captain stood there in limbo, not in the past, anymore. He stood in darkness.
But then a light shone on his face, and in the distance he heard a voice.
“Jim.”
Kirk said nothing. He
wanted to hear the voice speak once again.
“Jim, why did you let
me die?”
Kirk recognized the
voice but didn’t dare respond, because it was too unbelievable.
“Jim. Or should I call you … Captain,
like Spock would?”
Kirk whispered,
“Edith?”
A shadow moved and
then, “Your friend Doctor McCoy. You, he and Spock. All men out of place. And
time. Why were you there?”
The captain
swallowed. “We… Spock and I. Had to make things … right.”
The shadow moved
forward so that Kirk could see its face. It was as young and sweet as he had
last seen it. The voice laughed. “Make things right?”
“Yes.”
“By allowing me to die?”
“It was the only
way.” Kirk choked back the next words. “I’m sorry.”
“Sorry.”
And then Spock, out
of nowhere, appeared. “Miss Keeler.”
“Mister Spock.”
“Jim Kirk has never
made a greater sacrifice. Perhaps no one has had to quite like he did, for Jim
had to give up the woman he loved to
save the millions – or billions who would have died - had he not done that.”
Now Spock was
standing next to Kirk, and Edith Keeler moved closer to them. She was partly in
light, partly in dark. She said, “I don’t understand.”
And now McCoy
appeared. “Edith. Jim Kirk stopped me from saving you. And for a moment, I
didn’t understand, either. For that moment, I hated him for what he did.”
Edith said, “But you
three are friends. Good friends. I could see that back then, and I see that
now. You… love each other, like
brothers.”
Kirk smiled, “Yes,
that’s true. We are like brothers.”
And then, in the wink
of an eye, Kirk, Spock and McCoy were back on the Enterprise, standing before Sybok. Kirk turned to Spock’s half
brother and said, “Sybok, what just happened?”
Sybok put a hand on
Kirk’s shoulder. “You faced a demon.”
Kirk said, “Certainly
not Edith. Edith Keeler?”
McCoy interceded.
“No, Jim. I don’t think Sybok means that.”
Sybok nodded. “You
went back to a terrible choice you had to make. A decision that was like no
other you or most other people have not had to make. And you faced it.”
Kirk looked beyond
Sybok, thinking out loud. “I’ve always wondered what would have happened if…”
He then looked at McCoy, “I’d have let you save her, Bones.”
Spock then joined in,
“But you know Jim, you know what would have happened. And you know you made the
correct decision.”
Kirk wondered, “The
right decision for everyone … except Edith.”
McCoy said, putting a
hand on Kirk’s shoulder. “Maybe not, Jim. Given what you and Spock learned would
have happened, who knows if you spared her a terrible future, too.”
Spock replied, “We’ll
never know, Doctor.”
Kirk said,
“Gentlemen, there’s no sense discussing this further. I will say that” he spun
around to face Sybok “I do feel a sense of … peace … facing this after so much time has passed.” He offered a
curt smile. “Thank you, Sybok.”
Sybok smiled and
nodded, but said nothing.
Kirk continued, “Now.
About my ship…”
Star Trek V: The Final
Frontier came after a crackerjack trilogy of Star Trek movies, i.e., The Wrath of Khan; The Search for Spock; and The
Voyage Home. To be honest, they were a difficult act to follow, so to
speak, so it’s no doubt that The Final
Frontier was a letdown and didn’t fare as well as its predecessors at the
box office.
However, The Final
Frontier, as good as portions of it were, would have at best made a decent
TV series episode. It was not not up to par as a movie – certainly not like its
three immediate predecessors. That was perhaps due to budget cuts, a bit too
much comedy and, in the end, a fairly ordinary threat or “enemy”.
Having said that, the opinion here is that adding a scene
for Kirk in which he “encounters” Edith Keeler would have raised it a notch.
Granted, it would have just been a five- or ten-minute scene, but it might have
packed a punch. Certainly long-time fans might have had a greater appreciation
for the movie with that scene in it.
Whether they would have gotten Joan Collins to reprise her
role as Edith Keeler is another story…
-Bruce
Bruce:
ReplyDeleteYou write:
“Whether they would have gotten Joan Collins to reprise her role as Edith Keeler is another story…”
If you’ll permit me a little “Star Trek geekiness” – and, if you can’t be “geeky” in a Blog post about Star Trek, where can you be – Joan Collins would not be able to “…reprise her role as Edith Keeler”.
Why? Not because of Dynasty, or the high salary she would command… Okay, maybe that “salary thing”!
But, because… in Kirk’s MIND, she could not have aged after her death! Or could not have “aged” in any way that would be recognizable to Kirk’s mind!
She would have appeared EXACTLY as she did at the time of her death (maybe even in the SAME OUTFIT), because that is how she “exists”… in Kirk’s mind!
Sure, his mind *COULD* extrapolate the passage of two decades, but it would not “be Edith”… because, unlike Kirk, Edith did NOT reach her fifties! And, the poignancy of the differences in their ages would reinforce the idea of Edith being “cut down in the prime of life”, where Kirk was not, making it all the more effective.
Naw, they would have gotten a younger “Edith look-alike”, because it would be more logical to the story… and cheaper!
Joe (…exiting “Geeky-Mode, for now!)
Joe:
ReplyDeleteGeekiness is practically a requirement!! ;)
Well, guess what... GREAT POINT and ... believe it or not, I did consider that. Note that in my "story segment", Edith is in the shadows for the most part. So you really don't see a lot of her for a good portion of her appearance here. And when she finally does emerge from the shadows, my thinking is that you still don't see a lot of her all that clearly.
You certainly would see her in the flashbacks, and then when she'd appear in Kirk's Sybok-induced recollection, the viewer would simply think it's the same character and not consider any physical differences, regardless of how visible they are.
I'm guessing, too - or hoping - that the CGI back in 1989 was fair enough to give the illusion of Edith looking like she did in 1967 ... or was that 1930?
-Bruce